Faculty & Guest Artists
Manchester Music Festival welcomes artists from all over the globe to perform in the beautiful Green Mountains of Vermont. We look forward to being joined by these talented musicians and more in 2019.
APPEARING JULY 11, JULY 18 & JULY 20, 2019
Toby Appel has appeared in recital and concerto performances throughout North and South America, Europe, and the Far East. He has been a member of such renowned ensembles as TASHI, and the Lenox and Audubon Quartets. Mr. Appel has been a guest artist with the Vermeer, Manhattan, and Alexander Quartets as well as a frequent guest with the Lincoln Center Chamber Music Society and with jazz artists Chick Corea and Gary Burton. Festival performances include those with Mostly Mozart (NY), Santa Fe (NM), Angel Fire (NM), Seattle (Wa), Bravo! Vail Valley (Co), Chamber Music Northwest (Or), and Marlboro (Vt), as well as festivals in England, France, Korea, Germany, Italy, Finland, and Greece. In 1975, Mr. Appel was featured in a CBS television special performing works commissioned by him for three violas, all played by Toby Appel. In 1980, Mr. Appel was the winner of Young Concert Artists International.
Mr. Appel is a frequent commentator for National Public Radio’s Performance Today.
Toby Appel entered the Curtis Institute at age 13 under the guidance of Max Aronoff. He is currently on the viola and chamber music faculties at the Juilliard School in New York City, where he has been teaching for the past 29 years. Other teaching has included professorships at the State University of New York, Carnegie Mellon University, and The Yale School of Music. He has toured for the United States State Department and performed at the United Nations and at the White House.
APPEARING JULY 11, 2019
Distinguished by its virtuosic playing and impassioned interpretations, the Ariel Quartet has earned its glowing international reputation. Formed in Israel nearly twenty years ago when its members were students, the Quartet was recently awarded the prestigious Cleveland Quartet Award. The Ariel serves as the Faculty Quartet-in-Residence at the University of Cincinnati’s College-Conservatory of Music, where they direct the rigorous chamber music program and perform their own annual series of concerts in addition to their busy touring schedule. The group’s 2018-19 season features performances for Calgary Pro Musica, the Kreeger Museum, and Music Toronto, among others; and on tour in Israel and Europe. The Ariel Quartet has been mentored extensively by Itzhak Perlman, Paul Katz, Donald Weilerstein, Miriam Fried, Kim Kashkashian, and Martha Strongin Katz, among others, and spent a formative year in Switzerland for in-depth studies with Walter Levin, the founding first violinist of the LaSalle Quartet.
APPEARING AUGUST 8, 2019
Cellist Edward Arron has garnered recognition worldwide for his elegant musicianship, impassioned performances, and creative programming. A native of Cincinnati, Ohio, Mr. Arron made his New York recital debut in 2000 at the Metropolitan Museum of Art. Since that time, he has appeared in recital, as a soloist with major orchestras, and as a chamber musician throughout North America, Europe and Asia. In 2013, Mr. Arron completed a ten-year residency as the artistic director of the critically acclaimed Metropolitan Museum Artists in Concert, a chamber music series created in 2003 to celebrate the 50th anniversary of the Museum’s prestigious Concerts and Lectures series. Currently, he is the artistic director, host, and resident performer of the Musical Masterworks concert series in Old Lyme, Connecticut, as well as the Festival Series in Beaufort, South Carolina and Chamber Music on Main at the Columbia Museum in Columbia, SC. Additionally, Mr. Arron is the co-artistic director along with his wife, pianist Jeewon Park, of the new Performing Artists in Residence series at the Clark Art Institute in Williamstown, Massachusetts as well as a member of the renowned Ehnes Quartet. Edward Arron began playing the cello at age seven in Cincinnati and continued his studies in New York with Peter Wiley. He is a graduate of the Juilliard School, where he was a student of Harvey Shapiro. In 2016, Mr. Arron joined the faculty at University of Massachusetts Amherst, after having served on the faculty of New York University from 2009 to 2016.
APPEARING JULY 18 & JULY 20, 2019
Consistently praised for her brilliant technique, tonal beauty and superb musicianship, Canadian pianist Angela Cheng is one of her country’s national treasures. In addition to regular guest appearances with virtually every orchestra in Canada, she has also performed with the Alabama Symphony, Buffalo Philharmonic, Colorado Symphony, Houston Symphony, Indianapolis Symphony, Jacksonville Symphony, Louisiana Philharmonic, Saint Louis Symphony, San Diego Symphony, Syracuse Symphony, Utah Symphony and the Israel Philharmonic. In the spring of 2012, Ms. Cheng made her highly acclaimed Carnegie Hall debut with the Edmonton Symphony. She also made her debut at the prestigious Salzburg Festival in a recital with Pinchas Zukerman during the summer of 2012. Highlights in recent seasons include performances with the National Arts Centre Orchestra in Ottawa, Sinfonia Toronto, Vancouver Symphony, Winnipeg Symphony, and the Israel Chamber Orchestra.
APPEARING AUGUST 8 & AUGUST 10, 2019
Praised as playing “gorgeously” and with “gracefulness and easy rapport” (The Boston Globe), violinist Emily Daggett Smith has performed across the United States, Europe, South America and Asia.
Dr. Smith made her New York concerto debut playing the Beethoven Violin Concerto with the Juilliard Orchestra in Alice Tully Hall, and has since performed with many orchestras including Iris Orchestra and the New Amsterdam Symphony Orchestra. She has given solo recitals across the country at venues including the Kennedy Center and Music in the Loft in Chicago.
As an active chamber musician Emily has shared the stage with renowned musicians including members of the Cleveland, Emerson and Juilliard String Quartets. Dr. Smith is also dedicated to education and serves on faculty at the Bard College Conservatory Pre-College, as well as the Juilliard School, where she is assistant for Laurie Smukler. She holds Bachelor and Master of Music degrees from The Juilliard School and a Doctor of Musical Arts degree from Stony Brook University.
APPEARING JULY 27, 2019
Mathilda Edge, soprano, is originally from Chandlerville, Illinois. She has won recognition in a number of international, national, and regional competitions in recent years. In 2016 alone she placed in both the Washington International Competition for Voice and the National Association of Teachers of Singing Artist Award Competition. She was lauded by the judges in both competitions for her "flawless technical control and vocal freedom." Earlier in the year she won the Bel Canto Chorus’ Regional Artist Competition in Milwaukee, WI, with which she debuted as the soprano soloist in Mendelssohn’s Elijahin March of 2017. Ms. Edge also took first place in Bloomington, Indiana’s chapter of the National Society of Arts and Letter Vocal Competition.
Ms. Edge has won the Indiana District's Metropolitan Opera National Council for the past three years. She placed second place at the Central Region MONC auditions in November of 2015, and third in the following year. Early in 2017, Ms. Edge was a semifinalist for Houston Grand Opera's Eleanor McCollum Competition, and in May took third place in the Cooper-Bing Competition with Opera Columbus.
While maintaining an active competition schedule, Ms. Edge also maintains an active performing career in concert, oratorio, recital, and operatic work. She has sung in concert with numerous choirs such as the The City Choir of Washington & New Dominion Chorale, both in Washington, DC, the Bel Canto Chorus in Milwaukee, WI, as well as with choirs at Indiana University, Indiana State University, Illinois College, and Southern Illinois University at Edwardsville.
Ms. Edge has performed as Fiordiligi in Mozart’s Così fan tutte, First Lady in Mozart’s Die Zauberflöte, Sandman in Humperdinck’s Hansel and Gretel, Romilda in Händel’s Xerxes, The Milliner in Stauss’s Der Rosenkavalier, and as the title role of Puccini’s Madama Butterflyin which she was praised for her "deeply affecting" performance.
In the Summer of 2017, Ms. Edge performed with the Merola Opera Program, participating in the Schwabacher Summer Concert in which she sang an extended scene as the title role in Massenet's Thaïs. Her performance was compared to Ms. Beverly Sills with San Francisco Classical Voice saying that Mathilda “portrayed Thaïs in a performance ready for the whole opera (which made even the divine Beverly Sills fold in one of her final San Francisco appearances, in 1977).” Later in the summer she made her public debut on the San Francisco Opera stage in the Merola Grand Finale singing a selection from Verdi’s I vespri Siciliani. Most recently, in the Summer of 2018, Ms. Edge covered the title role of Ariadne in Richard Strauss’s Ariadne auf Naxos as an Apprentice Artist with Santa Fe Opera.
APPEARING JULY 11
Clarinetist Alexander Fiterstein is considered one of today’s most exceptional artists. Fiterstein has performed in recital, with distinguished orchestras, and with chamber music ensembles throughout the world. He won first prize at the Carl Nielsen International Clarinet Competition and received the prestigious Avery Fisher Career Grant Award. The Washington Post has described his playing as “dazzling in its spectrum of colors, agility, and range. Every sound he makes is finely measured without inhibiting expressiveness” and The New York Times described him as “a clarinetist with a warm tone and powerful technique.”
As soloist he has appeared with the Czech, Israel, Vienna, and St. Paul Chamber Orchestras, Belgrade Philharmonic, Danish National Radio Symphony, Tokyo Philharmonic, China National Symphony Orchestra, KBS Orchestra of South Korea, Jerusalem Symphony, Orchestra of St. Luke’s at Lincoln Center, Kansas City Symphony, and the Simon Bolivar Symphony Orchestra of Venezuela. He has performed in recital on the Music at the Supreme Court Series, the Celebrity Series in Boston, the Isabella Stewart Gardner Museum, the Kennedy Center, the Louvre in Paris, Suntory Hall in Tokyo, Tel Aviv Museum, and NYC’s 92d Street Y.
A dedicated performer of chamber music, Fiterstein frequently collaborates with distinguished artists and ensembles and regularly performs with the prestigious Chamber Music Society of Lincoln Center. Among the highly regarded artists he has performed with are Daniel Barenboim, Yefim Bronfman, Mitsuko Uchida, Richard Goode, Emanuel Ax, Marc-Andre Hamelin, Pinchas Zukerman, and Steven Isserlis. Fiterstein performed with the Dover, Pacifica, Jerusalem, and Shanghai String Quartets as well as with Ensemble Wien-Berlin. He spent five summers at the Marlboro Music Festival and appeared at the Caramoor, Moab, Music@Menlo, Montreal, Toronto, Jerusalem, and Storioni Chamber Music Festivals.
Fiterstein is a founder of the Zimro Project, a unique ensemble dedicated to incorporating Jewish art music into chamber music programs. He performed as principal clarinet of the West-East Divan Orchestra at the invitation of Daniel Barenboim and has appeared as guest principal clarinet with the Israel Philharmonic with Zubin Mehta, KBS Orchestra with Yoel Levi, and with the St. Paul and Orpheus Chamber Orchestras.
Fiterstein has a prolific recording career and has worked with composers John Corigliano and Osvaldo Golijov and had pieces written for him by Samuel Adler, Mason Bates, Paul Schoenfield, and Chris Brubeck, among others. Fiterstein was born in Belarus and immigrated to Israel at the age of 2 with his family. A Juilliard graduate, he won first prize at the Young Concert Artists International Auditions and received awards from the America-Israel Cultural Foundation. He is currently Professor of Clarinet and Chair of Winds at the Peabody Institute of the Johns Hopkins University. Fiterstein is a Buffet Crampon and Vandoren Performing Artist.
APPEARING JULY 25, 2019
Known for his thrilling performances and musical creativity, Gregorian made his New Recital Hall and his debut as soloist with the Boston Pops Orchestra in Symphony Hall in 1997. Since that time he has established himself as one of the most sought-after and versatile musicians of his generation with performances in New York’s Carnegie Hall, Avery Fisher Hall, Alice Tully Hall, Washington D.C.’s Kennedy Center and in major metropolitan cities throughout the world including Boston, Los Angeles, Chicago, Detroit, Houston, Dallas, Atlanta, Cleveland, Vancouver, Hong Kong, Shanghai, Beijing, Tel Aviv and Helsinki.
Throughout his career, Gregorian has taken an active role as a performer and presenter of chamber music. He is the founder and artistic director of the Four Seasons Chamber Music Festival in Greenville, North Carolina, which has recently celebrated its 10th Anniversary Season, and has appeared at festivals worldwide including the SpringLight (Finland), Storioni (Holland), Summer Solstice (Canada), Casals (Puerto Rico), Bard, Bravo! Vail Valley, Santa Fe, Skaneateles, Music in the Vineyards, Bach Dancing and Dynamite Society, Cactus Pear, Wintergreen, Mt. Desert, Madeline Island and Strings in the Mountains Festivals. He has also performed extensively as a member of numerous chamber music ensembles including the Daedalus Quartet, Concertante and the Arcadian Trio and has recorded for National Public Radio, New York’s WQXR radio station, and the Bridge and Kleos labels.
An active and committed teacher, Gregorian has been a member of the violin faculty at East Carolina University since 1998 and has taught at numerous summer festivals and seminars. In addition, he has taken a leading role in creating opportunities for established musicians to perform with talented students in a mentoring setting through the Four Seasons Chamber Music Festival’s Next Generation concerts.
Gregorian received his bachelor and master of music degrees from The Juilliard School where he studied with Joseph Fuchs, Harvey Shapiro, and Robert Mann. He performs on a Francesco Ruggeri violin from 1690 and a Grubaugh and Seifert viola from 2006.
APPEARING JULY 27, 2019
In the 2019-2020 season, tenor Jonathan Johnson makes his debuts in the roles of the Prince in The Love of Three Oranges with Opera Philadelphia, Matthew in Emmeline with Tulsa Opera, and Beppe in I Pagliacci with Opera Colorado. Johnson also appears with the Detroit Symphony as the tenor soloist in Messiah and with Cincinnati Symphony in Das Paradies und die Peri.
Other recent engagements include his debut in the role of Candide with the Seoul Philharmonic Orchestra, Utah Symphony Orchestra, and Des Moines Metro Opera, Hervey in Anna Bolena at Canadian Opera Company, Frederic in The Pirates of Penzance and Lensky in Eugene Onegin at the Lyric Opera of Kansas City, Fenton in Falstaff at San Diego Opera, and Lindoro in L'italiana in Algeri at the Portland Opera. Johnson has also appeared with the Kansas City Symphony Orchestra and Jacksonville Symphony.
APPEARING JULY 27, 2019
Warren Jones enjoys a notably eclectic career that has taken him to virtually every corner of the musical world. He performs with some of today’s best-known artists: Stephanie Blythe, Anthony Dean Griffey, Bo Skovhus, Eric Owens, John Relyea, and Richard “Yongjae” O’Neill—and is the Robert and Mercedes Eichholz Principal Pianist for the exciting Santa Barbara-based chamber music group Camerata Pacifica. In the past he has partnered such great performers as Marilyn Horne, Håkan Hagegård, Kathleen Battle, Samuel Ramey, Christine Brewer, Barbara Bonney, Carol Vaness, Judith Blegen, Salvatore Licitra, Tatiana Troyanos, Thomas Hampson, James Morris, and Martti Talvela.
He is a long-time member of the faculty of Manhattan School of Music as well as the Music Academy of the West, and received the Achievement Award for 2011 from the Music Teachers National Association of America, their highest honor.
In 2010, Mr. Jones was selected as Collaborative Pianist of the Year by the publication Musical America. He has been an invited guest at the White House to perform for state dinners in honor of the leaders of Canada, Russia, and Italy; and three times the invited guest of the Justices of the United States Supreme Court for musical afternoons in the East Conference Room at the Court.
A graduate of both New England Conservatory and San Francisco Conservatory of Music, Mr. Jones currently serves on the NEC Board of Visitors and has been honored with the Doctor of Music degree from SFCM. His discography contains thirty-one recordings on every major label in a wide range of repertory.
His conducting repertory is similarly varied: he has led sold-out, critically-acclaimed performances of Mascagni’s L’amico Fritz, Rossini’s Il barbiere di Siviglia, and Mozart’s Die Zauberfloete. In 2014, he conducted the world premiere of a new operatic version of A Christmas Carol at the Houston Grand Opera.
Mr. Jones returned to the Merola Opera Program at San Francisco Opera for performances of Donizetti’s comedy Don Pasquale in the summer of 2015. In February 2016, he led an innovative new production of Menotti’s The Telephone and Bernstein’s Trouble in Tahiti for Tri-Cities Opera.
APPEARING JULY 25 & JULY 27, 2019
Known for her musical sensitivity and deeply engaging performances that transport audiences beyond mere technical virtuosity, violinist Hye-Jin Kim leads a versatile career as soloist, recitalist, and chamber musician since her First Prize win at the Yehudi Menuhin International Violin Competition at the age of nineteen and a subsequent win at the Concert Artists Guild International Competition. Kim has performed as soloist with major orchestras worldwide including the Philadelphia, New Jersey Symphony, New Haven Symphony, BBC Concert (UK), Seoul Philharmonic (Korea), Pan Asia Symphony (Hong Kong), and Hannover Chamber (Germany) orchestras. She has appeared in Weill Recital Hall at Carnegie Hall, the Kennedy Center Terrace Theater, Kimmel Center Verizon Hall, the Kravis Center, Salzburg’s Mirabel Schloss, St. John’s Smith Square and Wigmore Hall in London. At the invitation of Korea’s Ministry of Foreign Affairs and Trade, she performed at the U.N. Headquarters in both Geneva and New York and served as a cultural representative for Korea in Switzerland, Australia, New Zealand, Kazakhstan, and Uzbekistan through concerts and outreach engagements. Born in Seoul, Korea, Hye-Jin Kim entered the Curtis Institute of Music at age 14 and earned her Masters degree at the New England Conservatory. Kim’s debut CD, From the Homeland, featuring works by Debussy, Smetana, Sibelius, and Janacek is available on CAG Records. Currently, Kim is Associate Professor of Violin at East Carolina University and a member of the Cooperstown Quartet.
APPEARING JULY 18, 2019
Violinist Jennifer Koh is recognized for intense, commanding performances, delivered with dazzling virtuosity and technical assurance. A forward-thinking artist, she is dedicated to exploring a broad and eclectic repertoire, while promoting diversity and inclusivity in classical music. She has expanded the contemporary violin repertoire through a wide range of commissioning projects, and has premiered more than 70 works written especially for her. Her quest for the new and unusual, sense of endless curiosity, and ability to lead and inspire a host of multidisciplinary collaborators, truly set her apart.
Ms. Koh continues her critically acclaimed series, including The New American Concerto, Limitless, Bach and Beyond, Shared Madness, and Bridge to Beethoven this season. The New American Concerto is an ongoing, multi-season commissioning project that explores the form of the violin concerto and its potential for artistic engagement with contemporary societal concerns and issues through commissions from a diverse collective of composers. Two concertos have thus far been premiered as part of the project: Vijay Iyer’s Trouble (2017) and Chris Cerrone’s Breaks and Breaks (2018). This season she performs Trouble with the Louisiana Philharmonic and Vermont Symphony Orchestras. She also performs a broad range of concertos that reflects the breadth of her musical interests, from traditional repertoire to music of this millennium, with such ensembles as the Philadelphia Orchestra, Los Angeles Chamber Orchestra, Camerata Salzburg, and Gothenburg Symphony Orchestra, in addition to the Los Angeles Philharmonic.
Ms. Koh also performs music from her Limitless project with pianist Vijay Iyer and percussionist Tyshawn Sorey, both commissioned as part of this project exploring the relationship between composer and performer through duo works played by Ms. Koh and the composers themselves; Bridge to Beethoven, in which she joins pianist Shai Wosner in pairing Beethoven’s violin sonatas with new works inspired by them; Bach and Beyond, which traces the history of the solo violin repertoire from Bach’s sonatas and partitas to pieces by 20th- and 21st-century composers; and Shared Madness, comprising short works that explore virtuosity in the 21st century, commissioned from over 30 composers.
Ms. Koh is an active lecturer, teacher, and recording artist. She has residencies this season at Cornell and Tulane Universities, during which she will perform, give master classes, and speak on topics from diversity to contemporary composition. Her album of works by Kaija Saariaho, a close collaborator whose music she has long championed, will be released by Cedille in November.
Named Musical America’s 2016 Instrumentalist of the Year, Ms. Koh has won the International Tchaikovsky Competition in Moscow, Concert Artists Guild Competition, and an Avery Fisher Career Grant. She has a BA in English literature from Oberlin College and studied at the Curtis Institute, where she worked extensively with Jaime Laredo and Felix Galimir. She is the Artistic Director of arco collaborative, an artist-driven nonprofit that fosters a better understanding of our world through a musical dialogue inspired by ideas and the communities around us.
For more information, visit jenniferkoh.com.
APPEARING JULY 18, 2019
Mark Kosower is currently principal cello of the Cleveland Orchestra and is on the faculty of the Cleveland Institute of Music. He also maintains a very active solo career, appearing in the past two seasons with the symphony orchestras of Buffalo, Columbus, Dayton, Indianapolis, Phoenix, Silicon Valley, Toledo, Breckenridge, Veracruz, and the Slovak Radio Orchestra. Recent festival appearances include the Eastern, Pacific, Santa Fe, Steamboat Springs, and Toronto music festivals. Previous international solo appearances include the Orchestre de Paris, Bamberg Symphony, Rotterdam Philharmonic, Hong Kong Philharmonic, China National Symphony Orchestra, National Symphony Orchestra of Taiwan, and Brazilian Symphony Orchestra, as well as the Detroit, Florida, Houston, Milwaukee, Minnesota, Oregon, North Carolina, Phoenix, and Seattle symphony orchestras.
APPEARING AUGUST 8, 2019
Born in Brussels, Belgian American violist Dimitri Murrath has made his mark as a soloist on the international scene, performing regularly in venues including Jordan Hall (Boston), Kennedy Center (Washington), Wigmore Hall, Purcell Room, Royal Festival Hall (London), Kioi Hall (Tokyo), the National Auditorium (Madrid), and Théâtre de la Ville (Paris).
A recipient of a 2014 Avery Fisher Career Grant, Dimitri is a first prize winner at the Primrose International Viola Competition. Other awards include second prize at the First Tokyo International Viola Competition, the special prize for the contemporary work at the ARD Munich Competition, and a fellowship from the Belgian American Educational Foundation. In 2012, he was named laureate of the Juventus Festival, an award recognizing young European soloists.
With repertoire extending from Bach to contemporary music by Ligeti, Kurtag, and Sciarrino, Murrath is particularly keen on performing new works. He has taken part in the Park Lane Group New Year Series in London to great critical acclaim, as well as commissioned, given the world premieres, and recorded several solo works.
An avid chamber musician, Murrath is a member of the Boston Chamber Music Society and of Mistral Music . He has collaborated with Miriam Fried, Pamela Frank, Richard Goode, Gidon Kremer, Menahem Pressler, Mitsuko Uchida, and members of the Mendelssohn, Takacs, Guarneri, Cleveland, Jerusalem, and Juilliard String Quartets.
Festivals include IMS Prussia Cove, Ravinia's Steans Institute for Young Artists, Verbier Festival, Caramoor Rising Stars, Chamberfest Cleveland, Bridgehampton Chamber Music Festival, Juventus Festival, and Marlboro Music Festival.
He has performed concertos with orchestras including Orchestre National de Lille, Toho Gakuen Orchestra, Tokyo Philharmonic, Brussels Philharmonic and London Mozart Players.
Dimitri Murrath began his musical education at the Yehudi Menuhin School studying with Natalia Boyarsky and went on to work in London with David Takeno at the Guildhall School of Music and Drama. He graduated with an Artist Diploma from the New England Conservatory as a student of Kim Kashkashian. He joined the viola faculty at NEw England Conservatory aged 26, and taught there for 8 years.
He is now on the viola faculties of San Francisco Conservatory of Music and Bowdoin International Music Festival. Dimitri Murrath participates in the Music for Food project, which raises awareness of the hunger problem faced by a large percent of the population, and gives the opportunity to experience the powerful role music can play as a catalyst for change.
'The warm and noble tome of Mr. Murrath's viola glowed fiercely - for me the highlight of the concert.' New York Times
A.D., New England Conservatory. BMus, MMus, Guildhall School of Music and Drama. Studies with Kim Kashkashian, Natalia Boyarsky, and David Takeno. Faculty: San Francisco Conservatory of Music, Bowdoin International Music Festival.
APPEARING JULY 11 & JULY 13, 2019
American pianist Jon Nakamatsu continues to draw unanimous praise as a true aristocrat of the keyboard, whose playing combines elegance, clarity, and electrifying power. A native of California, Mr. Nakamatsu came to international attention in 1997 when he was named Gold Medalist of the Tenth Van Cliburn International Piano Competition. Mr. Nakamatsu has performed widely in North and South America, Europe, and the Far East. He also performed at a White House concert hosted by President and Mrs. Clinton.
Mr. Nakamatsu's extensive recital tours throughout the U.S. and Europe have featured appearances in New York's Carnegie Hall and Lincoln Center, Washington D.C.'s Kennedy Center, and in Boston, Chicago, Cincinnati, Paris, London and Milan. He has worked with various chamber ensembles - among them the Brentano, Tokyo, Kuss, Jupiter, Cypress, Prazak and Ying String Quartets - and has toured repeatedly with the Berlin Philharmonic Wind Quintet.
Since 1997, Mr. Nakamatsu has served on multiple international piano competition juries and has also been invited as a guest speaker at numerous institutions including the Van Cliburn Foundation, Stanford University and the Juilliard School.
Mr. Nakamatsu studied privately with Marina Derryberry and has worked with Karl Ulrich Schnabel, son of the great pianist Artur Schnabel. He is a graduate of Stanford University with a bachelor's degree in German Studies and a master's degree in Education.
Grammy Award nominee Adam Neiman is hailed as one of the premiere pianists, composers, and entrepreneurs of his generation. With a distinguished international career and an encyclopedic repertoire that spans more than sixty concerti, Neiman has performed as soloist with the symphony orchestras of Belgrade, Chicago, Cincinnati, Dallas, Detroit, Houston, Indianapolis, Minnesota, Saint Louis, San Francisco, Slovenia, Umbria, and Utah, as well as with the New York Chamber Symphony and the National Symphony Orchestra of Washington D.C. He has collaborated with many of the world’s celebrated conductors, including David Atherton, Jiri Belohlavek, Michael Francis, Giancarlo Guerrero, Theodor Gushlbauer, Carlos Kalmer, Uros Lajovic, Yoël Levi, Andrew Litton, Rossen Milanov, Heichiro Ohyama, Peter Oundjian, Leonard Slatkin, and Emmanuel Villaume.
An acclaimed recitalist, Neiman has performed in most of the major cities and concert halls throughout the United States and Canada. His European solo engagements have brought him to Italy, France, Germany, the United Kingdom, and Japan, where he made an eight-city tour culminating in his debut at Tokyo’s Suntory Hall.
Neiman’s multifaceted career includes his recent appointment as the Artistic Director of the Manchester Music Festival in Vermont. In addition, he is the founder and CEO of the record label, Aeolian Classics, LLC, and in 2016 he created the Aeolian Classics Emerging Artist Award Competition, a recording prize bestowed upon an outstanding young artist at the Chicago College of Performing Arts at Roosevelt University, where he serves on the full-time piano faculty.
In recent seasons, Neiman’s activities include several monumental solo recital tours: he is currently presenting the complete Chopin Preludes and Ballades; in 2014-2015 he toured with the complete Preludes and Études-Tableaux by Rachmaninoff, which he recorded for a 2017 triple-disc set on Aeolian Classics; in 2013-2014, Neiman paired Beethoven’s Diabelli Variations and Hammerklavier Sonata, which he subsequently recorded for Sono Luminus, also due for release in 2017; and throughout the 2011-2013 seasons Neiman presented the complete Liszt Transcendental Études in celebration of the Liszt Bi-Centennial.
An avid chamber musician, Neiman makes frequent appearances at prestigious festivals such as the Mainly Mozart Festival, Seattle Chamber Music Festival, Moritzburg Festival, North Shore Chamber Music Festival, Musical Masterworks Series in Connecticut and South Carolina, Four Seasons Chamber Music Festival, Jupiter Symphony Chamber Players, and the Manchester Chamber Music Festival. After three seasons as a member of Trio Solisti, Neiman capped his tenure with the ensemble with a presentation of the complete chamber music of Johannes Brahms in a series of three concerts at Carnegie Hall in 2015. Neiman was also a founding member of the Corinthian Trio, which toured extensively throughout the United States and the Balkans.
Neiman maintains an active profile as a composer, and most recently the North Shore Chamber Music Festival commissioned Neiman to compose a new chamber work for Clarinet, Violin, and Piano for the 2017 edition of its annual festival. He will also perform his Concerto for Piano and String Orchestra under the baton of Alastair Willis with the Chicago College of Performing Arts Contemporary Ensemble at Ganz Hall. Neiman’s burgeoning compositional output includes two symphonies, a body of chamber music and vocal works, an orchestral cinematic portfolio, and a growing number of solo piano pieces.
His extensive discography includes numerous solo, concerto, and chamber music albums for labels such as VAI, Bridge, Naxos, Sono Luminus, Lyric, and Aeolian Classics.
APPEARING JULY 25, 2019
Tara Helen O'Connor is a charismatic performer noted for her artistic depth, brilliant technique and colorful tone spanning every musical era. Recipient of an Avery Fisher Career Grant, a two-time Grammy nominee and the first wind player chosen to participate in The Bowers Program (formerly CMS Two), she is now a Season Artist of the Chamber Music Society of Lincoln Center. A Wm. S. Haynes flute artist, Tara regularly participates in the Santa Fe Chamber Music Festival, Music@Menlo, Chamber Music Festival of the Bluegrass, Spoleto Festival USA, Chamber Music Northwest, Mainly Mozart Festival, Music from Angel Fire, the Banff Centre, Rockport Music, Bay Chamber Concerts, Manchester Music Festival, the Great Mountains Music Festival, Chesapeake Music Festival and the Bravo! Vail Valley Music Festival.
Tara is a member of the woodwind quintet Windscape, the legendary Bach Aria Group and is a founding member of the Naumburg Award-winning New Millennium Ensemble. She has premiered hundreds of new works and has collaborated with the Orion String Quartet, St. Lawrence Quartet and Emerson Quartet. Tara has appeared on A&E's Breakfast for the Arts, Live from Lincoln Center and has recorded for Deutsche Grammophon, EMI Classics, Koch International, CMS Studio Recordings with the Chamber Music Society of Lincoln Center and Bridge Records.
Tara is Associate Professor of Flute, Head of the Woodwinds Department and the Coordinator of Classical Music Studies at Purchase College School of the Arts Conservatory of Music. Additionally, Tara is on the faculty of Bard College Conservatory of Music, the Contemporary Performance Program at Manhattan School of Music and is a visiting artist, teacher and coach at the Royal Conservatory of Music in Toronto. She lives with her husband, violinist Daniel Phillips and their and two miniature dachshunds, Chloé and Ava on the Upper West Side of Manhattan.
APPEARING JULY 25, 2019
Elmar Oliveira is an American violinist whose remarkable combination of impeccable artistry and old- world elegance sets him apart as one of our most celebrated living artists. Oliveira remains the first and only American violinist to win the Gold Medal at Moscow's prestigious Tchaikovsky International Competition. He was the first violinist to receive the coveted Avery Fisher Prize and won First Prize at the Naumburg International Competition.
Son of Portuguese immigrants, Oliveira was nine when he began studying the violin with his brother, John Oliveira and then attended the Hartt College of Music and the Manhattan School of Music. He holds honorary doctorates from both the Manhattan School of Music and Binghamton University. In 1997, the Prime Minister of Portugal awarded Elmar the country's highest civilian accolade, The Order of Santiago.
Oliveira has performed regularly at many of the most prestigious international concert venues. He has appeared with such esteemed Symphony Orchestras of Boston, Chicago, Cleveland, Colorado, Detroit, Philadelphia, St. Louis, San Francisco, and Seattle, as well as the Philharmonics of Helsinki, London, Los Angeles, New York, and the Leipzig Gewandhaus and Zürich Tonhalle, among many others. He has also made extensive recital tours of North and South America, Australia, New Zealand and the Far East.
Oliveira’s discography on Artek, Angel, SONY Masterworks, Vox, Delos, IMP, Naxos, Ondineand Melodiya ranges widely from Bach and Vivaldi to contemporary works that are swiftly becoming pillars of the violin repertoire. His best-selling recording of the Rautavaara Violin Concerto with the Helsinki Philharmonic won a Cannes Classical Award and was chosen as Gramophone's “Editor's Choice”. He also received Grammy nominations for his recordings of both the Barber Concerto with Leonard Slatkin and the Saint Louis Symphony and the Bloch and Benjamin Lees Violin Concertos under the baton of John McGlaughlin Williams. Other recording highlights include the Brahms and Saint-Saëns concertos with Gerard Schwarz and the Seattle Symphony, the Joachim Concerto with the London Philharmonic, the complete Brahms sonatas with Jorge Federico Osorio, and the rarely heard Respighi and Pizzetti sonatas with pianist Robert Koenig.
Two projects of particular historical significance: The Miracle Makers: Stradivari • Guarneri • Oliveira, a coffee-table sized book and three-CD set which compares and contrasts thirty exquisite violins by Antonio Stradivari and Giuseppe Guarneri del Gesù; and a release of short pieces highlighting the Library of Congress Collection of rare violins on Biddulph Recordings, speak to Oliveira’s extreme dedication to preserving and highlighting the violin and critical makers of the past as well as those that are important to the development of the instrument today.
In 2016 Elmar Oliveira announced the creation of the Elmar Oliveira International Violin Competition. This competition—that takes place every three years—is open to any violinist of any nationality between the ages of 16-32 and offers critical career support in the form of artist management and public relations as well as cash prizes. The Inaugural competition took place at the Lynn Conservatory of Music, where Elmar Oliveira is Distinguished Artist-in-Residence, January 23 – February 5, 2017. The next competition will be held in January 2020. For more detailed information, please visit the web site www.elmaroliveiraivc.org
Additionally, Elmar Oliveira has founded the John Oliveira String Competition, an internal competition at the Lynn Conservatory of Music. The annual competition is open to all string students at the school. The competition was founded last year in memory of Elmar Oliveira’s late brother, violinist John Oliveira. For more information, please visit http://www.john-oliveira.com.
Oliveira is passionate about expanding the role and repertoire of the violin as well as championing contemporary music and unjustly neglected works. He is a devoted teacher and promoter of young artists, and also keenly supports the art of contemporary violin and bow making.
APPEARING AUGUST 8, 2019
Praised for her “deeply reflective playing” (Indianapolis Star) and “infectious exuberance” (New York Times), Korean-born pianist Jeewon Park has garnered the attention of audiences for her dazzling technique and poetic lyricism. Since making her debut at the age of 12 performing Chopin’s First Concerto with the Korean Symphony Orchestra, Ms. Park has performed in such prestigious venues as Carnegie Hall, Lincoln Center’s Alice Tully Hall, Merkin Hall, 92nd Street Y, Philadelphia Museum of Art, Kravis Center, and Seoul Arts Center in Korea. In recent seasons, Ms. Park has performed at major concert halls across the U. S. and Korea. Recent and current highlights include several performances of Mozart Piano Concertos K. 414 and K. 415, a recital of Messiaen Preludes and Kurtag Jatekok, a solo recital at Caramoor, an appearance at Lincoln Center’s “What Makes It Great” series, and U.S. tours with the “Charles Wadsworth and Friends” series. As a soloist, she has appeared with the Charleston Symphony, Mexico City Philharmonic, Monterrey Symphony, Mexico State Symphony, and KBS Symphony Orchestra. Ms. Park came to the U. S. in 2002, after having won all the major competitions in Korea, most notably Joong-Ang and KBS competitions. Ms. Park is a graduate of The Juilliard School and Yale University, where she was awarded the Dean Horatio Parker Prize. She holds the DMA degree from SUNY Stony Brook. Her teachers include Young-Ho Kim, Herbert Stessin, Claude Frank and Gilbert Kalish.
APPEARING AUGUST 1, 2019
In recent years, Vassily Primakov has been hailed as a pianist of world-class importance. Gramophone wrote that “Primakov’s empathy with Chopin’s spirit could hardly be more complete,” and the American Record Guide stated: “Since Gilels, how many pianists have the right touch? In Chopin, no one currently playing sounds as good as this! This is a great Chopin pianist.” Music Web-International called Primakov’s Chopin concertos CD “one of the great Chopin recordings of recent times. These are performances of extraordinary power and beauty.” In 1999, as a teen-aged prizewinner of the Cleveland International Piano Competition, Primakov was praised by Donald Rosenberg of the Cleveland Plain Dealer: “How many pianists can make a line sing as the Moscow native did on this occasion? Every poignant phrase took ethereal wing. Elsewhere the music soared with all of the turbulence and poetic vibrancy it possesses. We will be hearing much from this remarkable musician.”
His first piano studies were with his mother, Marina Primakova. He entered Moscow’s Central Special Music School at the age of eleven as a pupil of Vera Gornostaeva, and at 17 came to New York to pursue studies at the Juilliard School with the noted pianist, Jerome Lowenthal. At Juilliard Mr. Primakov won the William Petschek Piano Recital Award, which presented his debut recital at Alice Tully Hall, and while at Juilliard, aided by a Susan W. Rose Career Grant, he won both the Silver Medal and the Audience Prize in the 2002 Gina Bachauer International Artists Piano Competition. Later that year Primakov won First Prize in the 2002 Young Concert Artists (YCA) International Auditions. In 2007 he was named the Classical Recording Foundation’s “Young Artist of the Year.” In 2009, Primakov’s Chopin Mazurkas recording was named “Best of the Year” by National Public Radio and that same year he began recording the 27 Mozart piano concertos in Denmark. BBC Music Magazine (November, 2010) praised the first volume of Primakov’s Mozart concertos: “The piano playing is of exceptional quality: refined, multi-coloured, elegant of phrase and immaculately balanced, both in itself and in relation to the effortlessly stylish orchestra. The rhythm is both shapely and dynamic, the articulation a model of subtlety. By almost every objective criterion, Vassily Primakov is a Mozartian to the manner born, fit to stand as a role model to a new generation.”
Vassily Primakov has released numerous recordings for Bridge Records that include works by Bach, Mozart, Beethoven, Schubert, Schumann, Mendelssohn, Brahms, Chopin, Dvorak, Debussy, Tchaikovsky, Scriabin, Rachmaninoff, Philip Glass, Arlene Sierra and Poul Ruders.
In 2011, Mr. Primakov, along with his duo partner, Natalia Lavrova established a new and vibrant record company, L.P. Classics, Inc. Their first release was Anton Arensky: Four Suites for Two Pianos. Most recently, they released Primakov’s Live in Concert Album that includes works by Medtner, Schumann, Brahms’ Handel Variations and Ravel’s La Valse.
APPEARING AUGUST 1, 2019
Hailed for his warm, expressive sound and winning way with the audience, baritone Randall Scarlata enjoys an unusually diverse career. He has collaborated with many great soloists, orchestras, and conductors on stages across the world. He is particularly well-known as a recitalist and interpreter of new music, having given world premieres of composers such as Ned Rorem, George Crumb, Richard Danielpour, Christopher Theofanidis, and Paul Moravec, among others. Mr. Scarlata’s has recorded extensively, and his recording of Schubert’s Winterreise with pianist Gilbert Kalish was honored with a Grammy nomination for Best Classical Vocal Solo.
Scarlata has received many awards and honors, including Young Concert Artists, Das Schubert Lied, Joy in Singing, and The Naumburg Competition. Mr. Scarlata was a Fulbright scholar in Vienna, Austria. This fall he joins the faculty of the Peabody Institute. He previously served on the faculties of SUNY Stony Brook and West Chester University.
APPEARING JULY 18, 2019
Amy Schwartz Moretti has a musical career of broad versatility that spans nearly two decades. Former concertmaster of the Oregon Symphony and Florida Orchestra, Ms. Moretti has served as guest concertmaster for the symphony orchestras of Houston, Pittsburgh, Atlanta, CityMusic Cleveland, New York Pops, and Hawaii Pops, and the festival orchestras of Brevard, Colorado, and Grand Teton. Director of the McDuffie Center for Strings since its inception in the Mercer University Townsend School of Music, Ms. Moretti developed the Fabian Concert Series and holds the Caroline Paul King Chair in Strings. A performing artist with an affinity for chamber music, she maintains an active schedule of solo, chamber, and concertmaster appearances and is a member of the Ehnes Quartet. She has recorded for Chandos, Harmonia Mundi, Onyx Classics, CBC Records, BCMF/Naxos, and Sono Luminus. The Cleveland Institute of Music has recognized her with an Alumni Achievement Award and she is the 2014 San Francisco Conservatory of Music Fanfare Honoree, their first pre-college graduate to be recognized. Born in Wisconsin, raised in North Carolina and California, Amy lives in Georgia with her husband and two sons, enjoying all aspects of motherhood, especially their soccer and tennis activities.
APPEARING AUGUST 1 & AUGUST 3, 2019
Craig Sheppard is Professor of Piano and Head of Keyboard at the School of Music of the University of Washington in Seattle. A native of Philadelphia, he graduated the Curtis Institute and the Juilliard School. In 1972, he won the Silver Medal at the Leeds International Competition in the UK. Living the next twenty years in London, he soloed with all the major British orchestras on numerous occasions, many on the European continent, and the orchestras of Philadelphia, Boston, Chicago, San Francisco, Dallas, Rochester and Atlanta, with conductors including Erich Leinsdorf, Sir Georg Solti, Lord Yehudi Menuhin, Aaron Copland, James Levine, Michael Tilson Thomas and Esa-Pekka Salonen. Sheppard has collaborated with Wynton Marsalis, Victoria de los Angeles, Irina Arkhipova, Renato Bruson, Ida Handel and Sylvia Rosenberg, in addition to many artists of the younger generation, including James Ehnes and Augustin Hadelich. He and colleague Robin McCabe founded the annual Seattle Piano Institute in 2010. His CDs are available at www.romeorecords.com. More info at www.craigsheppard.net.
APPEARING AUGUST 10, 2019
Recognized as one of today's most gifted artists, and enjoying an active career as both conductor and pianist, Ignat Solzhenitsyn's lyrical and poignant interpretations have won him critical acclaim throughout the world.
Principal Guest Conductor of the Moscow Symphony Orchestra and Conductor Laureate of the Chamber Orchestra of Philadelphia, Ignat Solzhenitsyn has recently led the symphonies of Baltimore, Cincinnati, Dallas, Indianapolis, Milwaukee, Seattle, and Toronto, the Nordwestdeutsche Philharmonie, the Czech National Symphony, as well as the Mariinsky Orchestra and the St. Petersburg Philharmonic. He has partnered with such world-renowned soloists as Richard Goode, Gary Graffman, Gidon Kremer, Anne-Sophie Mutter, Garrick Ohlsson, Mstislav Rostropovich, and Mitsuko Uchida.
His extensive touring schedule in the United States and Europe has included concerto performances with numerous major orchestras, including those of Boston, Chicago, Philadelphia, Los Angeles, Seattle, Baltimore, Montreal, Toronto, London, Paris, Israel, and Sydney, and collaborations with such distinguished conductors as Herbert Blomstedt, James Conlon, Charles Dutoit, Valery Gergiev, André Previn, Gerard Schwarz, Wolfgang Sawallisch, Yuri Temirkanov and David Zinman.
A winner of the Avery Fisher Career Grant, Ignat Solzhenitsyn serves on the faculty of the Curtis Institute of Music. He has been featured on many radio and television specials, including CBS Sunday Morning and ABC’s Nightline.
APPEARING AUGUST 8, 2019
The first German artist to ever win the international Naumburg Violin Award in New York, Axel Strauss made his American debut at the Library of Congress in Washington DC and his New York debut at Alice Tully Hall in 1998. Since then he has given recitals in major North American cities, including Boston, Chicago, Cleveland, Los Angeles and San Francisco. In 2007 he was the violinist in the world premiere performance and recording of Two Awakenings and a Double Lullaby, written for him by Pulitzer Prize winning composer Aaron Jay Kernis. Axel Strauss' discography includes the Brahms violin concerto, the three last violin concertos by Kreutzer, the complete Caprices for solo violin by Pierre Rode and the complete works for violin and piano by George Enescu. Axel Strauss has performed as soloist with orchestras in Budapest, Hamburg, New York, Seoul, Shanghai, Bucharest, San Francisco and Cincinnati, among others, and has toured widely throughout the world as a recitalist and chamber musician. He has also served as guest concertmaster of the Berlin Philharmonic and the Montreal Symphony. In 2012 Axel Strauss was appointed Professor of Violin at the Schulich School of Music at McGill University in Montreal, where he also serves as Chair of the String Area. Prior to that he served as Professor of Violin at the San Francisco Conservatory of Music.
APPEARING JULY 25, 2019
Peter Stumpf is professor of cello at the Indiana University Jacobs School of Music. Prior to his appointment, he was the principal cellist of the Los Angeles Philharmonic for 9 years following a 12 year tenure as Associate Principal Cellist of the Philadelphia Orchestra. He received a bachelor’s degree from the Curtis Institute of Music and an artist’s diploma from the New England Conservatory of Music.
A dedicated chamber music musician, he is a member of the Weiss - Kaplan - Stumpf Trio. He has performed with the chamber music societies of Boston, Philadelphia, and is a participant at the Marlboro and Santa Fe chamber music festivals.
Concerto appearances have included the Boston Symphony, the Los Angeles Philharmonic, the Philadelphia Orchestra, and the Aspen Festival. Solo recitals have been at Jordan Hall in Boston, on the Philadelphia Chamber Music Society series, on the Chamber Music in Historic Sites series in Los Angeles and at the Philips and Corcoran Galleries in Washington D.C. His awards include first prize in the Washington International Competition.
APPEARING JULY 27, 2019
Jesus Suaste’s voice is that of an extremely singular timbre. His expressive force adjusts faithfully to the spirit of the works he performs, gifted with an extraordinary and an unforgettable sensitivity and stage presence. His universal repertory includes more than-eighty operas, oratories and concert pieces.
His artistic maturity and versatility have earned him many awards and recognition in his country and abroad. He has performed in the main concert halls in Mexico and in venues in Canada, Switzerland, Spain, Ireland and the United States.
Some of the works from his wide repertory are: Messiah (Handel), Matthäuspassion and Johannespassion (Bach), Requiem (Mozart, Brahms, Fauré), Die Schöpfung and Die Jahreszeiten (Haydn), The Cenerentola (Rossini), Lucia de Lammermoor and L’elisir d’amore (Donizetti), Faust (Gounod), Boheme and Madame Butterfly (Puccini), Nozze di Figaro and Cosi Fan Tutte (Mozart), Carmen (Bizet), etc.
His debut as Germont in La Traviata at the Palace of Fine Arts in Mexico City was highly acclaimed by the audience and critics. His recent performances as The Count in Le Nozze di Figaro in several theaters in Switzerland and as the main character in Rigoletto were a sweeping success.
He has received awards and prizes in Mexico and abroad, among them are worth mentioning, the First Place of the First Singing Contest “Francisco Araiza”, Singer of the Year in 1990, awarded by The Mexican Union of Theater and Music Chroniclers. Prize “Wolfgang Amadeus Mozart” in the First International Singing Contest. “Karl Krauss”, in Spain in May of 1990. He was considered the Best Mexican Singer in 1992 and 1993 by the weekly publication “Claridades”. In November of 1994, the Austrian Embassy and the Cultural Foundation Domecq awarded him the Medal “Wolfgang Amadeus Mozart”, to his prestigious career.
He has performed with the most important orchestras in Mexico and with directors such as Eduardo Mata, Kurt Redel, Luis Herrera de la Fuente, Enrique Batiz, Leo Krämer, Uwe Mund, Miro Belamarik, John DeMain, Guido Maria Guida, Enrique Diemeke y Enrique Patrón, among others. He has performed with great artists such as Plácido Domingo, Francisco Araiza, Verónica Villarroel, Gilda Cruz Romo, Juan Pons, Paul Pliska and Ramón Vargas.
He has completed 13 commercial recordings which include works of Franz Joseph Haydn, Federico Moreno Torroba, Salvador Moreno and Carlos Guastavino, among others
In 2009 he received the Bellas Artes Medal as an acknowledgmend for his career.
In 2013 he was appointed National Coordinator of Opera by the Institute of Fine Arts.
Since 2009 he is founder and director of the Opera Company of Morelos.
APPEARING JULY 11, 2019
Christopher Theofanidis (b. 12/18/67 in Dallas, Texas) has had performances by many leading orchestras from around the world, including the London Symphony, the New York Philharmonic, the Philadelphia Orchestra, the Atlanta Symphony, the Moscow Soloists, the National, Baltimore, St. Louis, and Detroit Symphonies, among many others. He has also served as Composer of the Year for the Pittsburgh Symphony during their 2006-7 season, for which he wrote a violin concerto for Sarah Chang.
Mr. Theofanidis holds degrees from Yale, the Eastman School of Music, and the University of Houston, and has been the recipient of the International Masterprize, the Rome Prize, a Guggenheim fellowship, a Fulbright fellowship to France to study with Tristan Mural at IRCAM, a Tanglewood fellowship, and two fellowships from the American Academy of Arts and Letters. In 2007 he was nominated for a Grammy award for best composition for his chorus and orchestra work, The Here and Now, based on the poetry of Rumi, and in 2017 for his bassoon concerto. His orchestral work, Rainbow Body, has been one of the most performed new orchestral works of the new millennium, having been performed by over 150 orchestras internationally.
Mr. Theofanidis’ has written a ballet for the American Ballet Theatre, a work for the Orpheus Chamber Orchestra as part of their ‘New Brandenburg’ series, and two operas for the San Francisco and Houston Grand Opera companies. Thomas Hampson sang the lead role in the San Francisco opera. His work for Houston, The Refuge, featurs six sets of international non-Western musicians alongside the opera musicians. He has a long-standing relationship with the Atlanta Symphony and Maestro Robert Spano, and has just four recordings with them, including his concert length oratorio, Creation/Creator, which was featured at the SHIFT festival at the Kennedy Center in Washington, D.C. this year with the ASO, chorus, and soloists. His work, Dreamtime Ancestors, for the orchestral consortium, New Music for America, has been played by over fifty orchestras over the past two seasons. He has served as a delegate to the US-Japan Foundation’s Leadership Program, and he is a former faculty member of the Peabody Conservatory of Johns Hopkins University as well as the Juilliard School. Mr. Theofanidis is currently a professor at Yale University, and composer-in-residence and co-director of the composition program at the Aspen Music Festival.
APPEARING AUGUST 1 & AUGUST 3, 2019
Cellist Bion Tsang has been internationally recognized as one of the outstanding instrumentalists of his generation: among his many honors are an Avery Fisher Career Grant, the Bronze Medal in the IX International Tchaikovsky Competition and a Grammy nomination for his performances on Conspirare in Concert. He has performed as soloist with such orchestras as the New York, Moscow and Hong Kong Philharmonic Orchestras, the Atlanta, Pacific, Civic, American and National Symphony Orchestras, the Hollywood Bowl Orchestra, the Saint Paul and Stuttgart Chamber Orchestras, the Louisville Orchestra and the Taiwan National Orchestra.
Mr. Tsang’s chamber music career has also been a distinguished one, marked by collaborations with such artists as violinists Pamela Frank, Jaime Laredo, Cho-Liang Lin, Anne Akiko Meyers and Kyoko Takezawa and Chee Yun, violist Michael Tree, cellist Yo-Yo Ma, bassist Gary Karr and pianist Leon Fleisher. He has been a frequent guest artist of the Chamber Music Societies of Boston, Brooklyn and Fort Worth, Chamber Music International of Dallas, Da Camera of Houston, Camerata Pacifica of Los Angeles and Bargemusic in New York and performed at such festivals as Marlboro Music Festival, the Cape Cod, Tucson, Portland and Seattle Chamber Music Festivals, the Bard Festival, Bravo! Colorado, Music in the Vineyards and the Laurel Festival of the Arts, where he served as Artistic Director for ten years.
Mr. Tsang has toured the complete Beethoven works for cello and piano with pianist Anton Nel in, among other venues, Zankel Hall at Carnegie Hall and Jordan Hall in Boston, with the latter performance recorded by WGBH and commercially released on the Artek label. Artek subsequently released Tsang’s performance of the Brahms Cello Sonatas and Hungarian Dances (transcribed by Tsang), also in Jordan Hall with Nel, in early 2010.
Mr. Tsang received his B.A. from Harvard University and his M.M.A. from Yale University, where he studied with Aldo Parisot. His other cello teachers included Ardyth Alton, Luis Garcia-Renart, William Pleeth, Channing Robbins and Leonard Rose.
Mr. Tsang resides in Austin, Texas, where he is the first holder of the Joe R. & Teresa Lozano Long Chair in Cello at the UT Butler School of Music and enjoys chasing after his three young children: Bailey, Henry and Maia.