Logo for Summit Masterworkworks, with black background, yellow wave-like design on left, and yellow text reading 'Summit Masterworkworks' on the right.

Generations of European classical music composers made their livelihoods at the behest of courtly patrons, developing their craft (and feeding their families) as they turned out countless scores for ballrooms, theaters, and chapels. Patronage played a role in American music, too—but here, the siren song of Hollywood arguably played a bigger role in how music developed in America. Studios offered handsomely paid work, while keeping the sounds of orchestral instruments in the ears of moviegoers who might never visit a concert hall. Composers like Bernard Hermann, Elmer Bernstein, and John Williams became household names, crafting timeless scores that would enter the concert-music canon. And few can match the extraordinary success achieved by the charismatic composer, pianist, and conductor Leonard Bernstein, who fused urban swagger with jazz and Latin dance music to create one of the 20th century’s most beloved works: West Side Story, a perennial hit on stage and screen.

West Side Story
Goes Hollywood

Program:

Elmer Bernstein Theme from To Kill a Mockingbird

Bernard Herrmann Clarinet Quintet

Gary Eskow Storms are Coming

Duke Ellington Piece for Clarinet and Piano

John Williams Theme from Schindler's List

Leonard Bernstein Symphonic Dances from West Side Story

David Shifrin, clarinet • Christopher Johnson, piano • Philip Setzer, violin •
Matthew Duvall, percussion • Ethan Cowburn, percussion • Festival Young Artists

Thursday, July 30, 2026
7:30 PM

Arkell Pavilion
860 SVAC Drive / West Road
Manchester, VT 05254

About the Artists


An elderly man with white hair and glasses holding a clarinet against a black background.